The St. Petersburg of the White Nights, as it appears in Dostoevsky’s work, is not merely a city illuminated by continuous light; it is a city partially deserted, emptied by the seasonal migration of its inhabitants to their *dachas*. This temporary abandonment accentuates the period's melancholic and introspective character. Streets that usually pulse with life become long corridors of silence; canals reflect a light made even more intense by the absence of movement; and the city itself takes on the air of a stage left to the shadows of those who remain.In this rarefied setting, the experience of the White Nights acquires an almost intimate dimension. The milky light enveloping St. Petersburg not only softens facades and dissolves the bo
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